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  "id": "wabi-sabi",
  "name": {
    "zh": "侘寂风格",
    "en": "Wabi-Sabi"
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    "scope": "定义参考以上来源；数字界面示例、选择建议、条件关系及配方由本样例编辑，尚未经用户研究验证。",
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    "sources": [
      {
        "id": "wabisabi-sep",
        "url": "https://plato.stanford.edu/entries/japanese-aesthetics/",
        "title": "Stanford Encyclopedia of Philosophy · Japanese Aesthetics",
        "checkedAt": "2026-10-20",
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  "entry": {
    "id": "wabi-sabi",
    "type": "visual",
    "name": {
      "zh": "侘寂风格",
      "en": "Wabi-Sabi"
    },
    "aliases": [
      "Wabi-Sabi Style",
      "Wabi Sabi",
      "侘寂",
      "侘寂风"
    ],
    "granularity": "experience",
    "intents": [
      "express-brand",
      "organize-content"
    ],
    "tags": [
      "不对称",
      "肌理",
      "自然材质",
      "低饱和",
      "不完美"
    ],
    "definition": "借用日本侘寂美学中\"接受不完美与无常\"的取向来组织画面的视觉语言：低饱和的土色与灰色、可见的纸张、陶土、石材或织物肌理、刻意的不对称与留白，以及带手作痕迹而非机械精确的形与线。",
    "boundary": "本词条只讨论被界面与品牌设计借用的侘寂式图形手法，不完整阐释侘与寂作为日本美学与佛教思想的内涵，也不涉及茶道的仪轨与器物鉴赏。判定标准是\"低饱和自然色 + 可见肌理 + 刻意的不对称 + 手作痕迹\"的组合，而不是\"用了米色和留白\"。它与极简不同：极简把元素削减到必要并追求干净整齐，侘寂并不以减少元素为目标，反而保留粗糙、磨损与不规则，把它们当作内容的一部分；一个页面可以极简而毫无侘寂感（干净的无衬线与纯色块），也可以有侘寂感而并不极简。\"不完美\"指材质与形态上的不规则，不是界面行为上的不可靠：控件、文字与反馈仍须清楚可辨。",
    "signature": [
      "低饱和的土色、灰色与米色，色彩像经过日晒与磨损",
      "纸张、陶土、石材或亚麻的真实肌理作为底面",
      "不对称的构图与不规则的手绘形、毛边与笔触"
    ],
    "when": [
      "品牌关于手作、器物、自然材料或慢节奏的生活方式",
      "需要传达温度与时间感，而不是科技感与效率",
      "内容以少量高质量图片与短文字为主"
    ],
    "when_not": [
      "任务型、高频操作的产品界面，肌理与不对称会拖慢扫读",
      "把\"不完美\"延伸到控件状态、对齐与反馈，导致界面看起来像出了错",
      "只用米色与留白冒充侘寂，与内容的材质和气质无关"
    ],
    "tradeoff": "自然色、真实肌理与不对称能让画面显得温和、有时间感、不像流水线产品，代价是肌理图片增加加载量、低饱和配色压缩了可用的对比度，而刻意的不规则需要很强的判断力才能不被读成粗糙或失误。",
    "comparison": {
      "focus": "用自然材质与不规则表达时间感与温度",
      "mechanism": "低饱和自然色、可见肌理、不对称构图与手作痕迹",
      "cost": "肌理增加加载量，低饱和压缩对比度，不规则易被读成失误"
    },
    "sources": [
      {
        "id": "wabisabi-sep",
        "title": "Stanford Encyclopedia of Philosophy · Japanese Aesthetics",
        "url": "https://plato.stanford.edu/entries/japanese-aesthetics/",
        "claim": "该条目第 3–5 节把侘（wabi）描述为朴素、克制的美，并说明千利休的侘茶刻意选用并不完美的器物、让茶室的墙与木材保持粗糙未加工，乐烧茶碗的形与釉面常不对称、不完美；第 5 节把寂（sabi）与岁月留下的包浆和旧物之美联系起来。本词条据此转述侘寂对不完美、粗糙材质与时间痕迹的取向，图形手法的建议属编辑意见。",
        "checkedAt": "2026-10-20",
        "archive": {
          "lookupUrl": "https://web.archive.org/web/20261020*/https://plato.stanford.edu/entries/japanese-aesthetics/",
          "status": "unconfirmed",
          "checkedAt": "2026-10-20T07:58:11.892Z",
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      {
        "id": "wabisabi-wikipedia",
        "title": "Wikipedia · Wabi-sabi",
        "url": "https://en.wikipedia.org/wiki/Wabi-sabi",
        "claim": "该条目把侘寂概括为以接受无常与不完美为核心的日本传统美学，列出不对称、粗糙、简朴、节制与对自然物的欣赏等特征，并记载 Leonard Koren 1994 年的著作把这一概念介绍给西方设计师；本词条据此列出可借用的形态特征，并说明它在设计界的传播是二手转述。",
        "checkedAt": "2026-10-20",
        "archive": {
          "lookupUrl": "https://web.archive.org/web/20261020*/https://en.wikipedia.org/wiki/Wabi-sabi",
          "status": "unconfirmed",
          "checkedAt": "2026-10-20T07:58:13.232Z",
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    ],
    "relations": [
      {
        "target": "minimalism",
        "kind": "alternative",
        "condition": "需要一种安静、克制的视觉基调",
        "reason": "极简靠削减元素达到干净整齐，侘寂保留粗糙、磨损与不对称并把它们当作内容；两者都安静，但一个追求纯净，一个接纳痕迹。",
        "basis": "editorial"
      },
      {
        "target": "bohemian",
        "kind": "related",
        "condition": "品牌需要自然材质与手作感",
        "reason": "两者都偏好天然材料与手工痕迹，波西米亚风以多元纹样与色彩的叠加显得丰富随性，侘寂以少量低饱和材质显得沉静。",
        "basis": "editorial"
      },
      {
        "target": "craftsmanship",
        "kind": "informs",
        "condition": "用手作痕迹表达品质与用心",
        "reason": "工艺精神强调对材料与制作过程的投入，侘寂把这种投入留下的痕迹当作可见的美学。",
        "basis": "editorial"
      },
      {
        "target": "contrast-legibility",
        "kind": "conflicts_when",
        "condition": "低饱和文字直接放在纸张或石材肌理上",
        "reason": "低饱和配色本已压缩明度差，肌理又让背景明暗不均，小字号最先失去可读性。",
        "basis": "editorial"
      }
    ],
    "rules": [
      {
        "when": "正文、标签或控件放在肌理或低饱和底色上",
        "instruction": "按肌理最不利处核对文字与非文本对比度，必要时为文字区域铺平整的纯色底，确保满足 WCAG 对比度要求。",
        "strength": "must",
        "basis": "editorial"
      },
      {
        "when": "在界面中表达\"不完美\"",
        "instruction": "把不规则限定在插图、底纹与装饰边上，控件的对齐、状态与反馈保持一致和精确。",
        "strength": "recommend",
        "basis": "editorial"
      },
      {
        "when": "使用照片级的纸张、陶土或石材肌理图片",
        "instruction": "压缩肌理图片或改用小块可平铺的纹理，并在慢速网络下检查首屏加载。",
        "strength": "recommend",
        "basis": "editorial"
      }
    ],
    "visual": {
      "tokens": {
        "surface": "#ece4d6",
        "ink": "#3b3a35",
        "accent": "#9a6a4a",
        "radiusPx": 3,
        "shadow": "none"
      },
      "tokenScope": "本样例配方：带灰的米色纸底、暖灰墨色与陶土色强调色，示意低饱和自然色的取向；真实效果依赖肌理素材，单靠这几种颜色只会得到普通的米色页面，实际项目需另备肌理并验证其上文字的对比度。"
    },
    "demo": null,
    "version": "0.1.0",
    "editorialStatus": "drafted",
    "requirements": [],
    "demoCapabilities": [],
    "implementationNote": "本词条尚无可操作示例；插画为编辑示意，肌理与器物形状均为原创绘制。应用到产品前仍须实测肌理底上的文字对比度与页面加载量，并确认\"不完美\"没有延伸到控件状态与对齐。",
    "image": {
      "src": "/images/wabi-sabi.webp",
      "alt": "一张名为 FIELDNOTES 的虚构网页：带纤维肌理的米灰色纸底上，一只形状略不规则的陶土色器物偏在左侧，右侧留出大片空白，排着几条灰色占位文本条，边缘是手撕般的毛边。"
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    "searchTerms": [
      "asymmetry",
      "texture",
      "natural materials",
      "muted",
      "imperfection"
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