{
  "_description": "本文件由 data/ 生成：请改动来源文件，不要改这里。各字段的证据边界见接入指南。",
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  "locale": "zh-CN",
  "id": "V-C",
  "name": {
    "zh": "视觉风格 · 经典基础",
    "en": "Visual styles · Classic foundation"
  },
  "headline": {
    "zh": "视觉风格 Top 10：10 大经典设计风格详解",
    "en": "Top 10 Classic Visual Design Styles, Explained"
  },
  "page": "https://designvocabulary.com/zh/lists/V-C/",
  "self": "https://designvocabulary.com/zh/lists/V-C.json",
  "alternates": {
    "zh-CN": "https://designvocabulary.com/zh/lists/V-C.json",
    "en": "https://designvocabulary.com/en/lists/V-C.json"
  },
  "site": {
    "catalogSchemaVersion": "0.1.0",
    "entries": 137,
    "index": "https://designvocabulary.com/zh/lists/index.json",
    "query": "https://designvocabulary.com/api/query?lang=zh",
    "guide": "https://designvocabulary.com/zh/agents/",
    "llms": "https://designvocabulary.com/llms.txt"
  },
  "provenance": {
    "selection": "editorial",
    "ordered": false,
    "disclaimer": "席位号是编辑位置，不是评分、排名或人气统计；清单未收满时保持原样，不补足。",
    "titleNote": "标题中的“Top”与“N 大”是检索用语：本版是编辑选择，不是排名、评分或人气统计。",
    "seatOrigins": {
      "issue-1-ledger": "席位来自计划 issue #1 的清单账本。",
      "editorial-reconstruction": "席位由本仓库编辑判断补上。"
    },
    "evidence": "入选理由是编辑判断：它说明这条词汇在这一类里补上了哪一块，不声称它比别的风格更受欢迎或更有效。每条词条自己的定义另有来源。",
    "nominalSize": 10,
    "seatCount": 10,
    "filled": true,
    "sibling": {
      "id": "V-Y",
      "page": "https://designvocabulary.com/zh/lists/V-Y/",
      "json": "https://designvocabulary.com/zh/lists/V-Y.json"
    }
  },
  "seats": [
    {
      "seat": 1,
      "entry": "swiss",
      "origin": "editorial-reconstruction",
      "reason": "给这一类立一个“秩序从哪里来”的参照点：先有网格和层级，装饰才是后话。",
      "name": "瑞士国际主义",
      "type": "visual",
      "page": "https://designvocabulary.com/zh/entries/swiss/",
      "json": "https://designvocabulary.com/zh/entries/swiss.json"
    },
    {
      "seat": 2,
      "entry": "neo-brutalism",
      "origin": "editorial-reconstruction",
      "reason": "补上与秩序相反的一端：不靠精修而靠直白的描边与色块取得注意力。",
      "name": "新粗野主义",
      "type": "visual",
      "page": "https://designvocabulary.com/zh/entries/neo-brutalism/",
      "json": "https://designvocabulary.com/zh/entries/neo-brutalism.json"
    },
    {
      "seat": 3,
      "entry": "bauhaus",
      "origin": "issue-1-ledger",
      "reason": "补上“几何与原色本身承担表达”的一支，说明去装饰不等于去表现。",
      "name": "包豪斯视觉语言",
      "type": "visual",
      "page": "https://designvocabulary.com/zh/entries/bauhaus/",
      "json": "https://designvocabulary.com/zh/entries/bauhaus.json"
    },
    {
      "seat": 4,
      "entry": "art-deco",
      "origin": "issue-1-ledger",
      "reason": "代表把装饰当作正当表达手段的一路，与同类里的削减取向形成对照。",
      "name": "装饰艺术",
      "type": "visual",
      "page": "https://designvocabulary.com/zh/entries/art-deco/",
      "json": "https://designvocabulary.com/zh/entries/art-deco.json"
    },
    {
      "seat": 5,
      "entry": "art-nouveau",
      "origin": "issue-1-ledger",
      "reason": "补上装饰与结构融为一体的做法，区别于把纹样当作附加层的用法。",
      "name": "新艺术风格",
      "type": "visual",
      "page": "https://designvocabulary.com/zh/entries/art-nouveau/",
      "json": "https://designvocabulary.com/zh/entries/art-nouveau.json"
    },
    {
      "seat": 6,
      "entry": "minimalism",
      "origin": "issue-1-ledger",
      "reason": "界定“削减”这一取向本身，避免它被当成任何一种具体历史风格的同义词。",
      "name": "极简视觉风格",
      "type": "visual",
      "page": "https://designvocabulary.com/zh/entries/minimalism/",
      "json": "https://designvocabulary.com/zh/entries/minimalism.json"
    },
    {
      "seat": 7,
      "entry": "flat-design",
      "origin": "issue-1-ledger",
      "reason": "把“去掉模拟三维”的具体做法与更宽泛的极简取向分开。",
      "name": "扁平化设计",
      "type": "visual",
      "page": "https://designvocabulary.com/zh/entries/flat-design/",
      "json": "https://designvocabulary.com/zh/entries/flat-design.json"
    },
    {
      "seat": 8,
      "entry": "skeuomorphism",
      "origin": "issue-1-ledger",
      "reason": "提供与扁平化相对的一极，说明模仿实物是一种解释手段而非单纯装饰。",
      "name": "拟物化设计",
      "type": "visual",
      "page": "https://designvocabulary.com/zh/entries/skeuomorphism/",
      "json": "https://designvocabulary.com/zh/entries/skeuomorphism.json"
    },
    {
      "seat": 9,
      "entry": "memphis",
      "origin": "issue-1-ledger",
      "reason": "补上刻意违反“好品味”约束的一支，与同类里追求秩序的做法构成对照。",
      "name": "孟菲斯风格",
      "type": "visual",
      "page": "https://designvocabulary.com/zh/entries/memphis/",
      "json": "https://designvocabulary.com/zh/entries/memphis.json"
    },
    {
      "seat": 10,
      "entry": "collage",
      "origin": "issue-1-ledger",
      "reason": "补上“保留可见接缝的多源拼合”，区别于把素材融成连续画面的处理。",
      "name": "拼贴风格",
      "type": "visual",
      "page": "https://designvocabulary.com/zh/entries/collage/",
      "json": "https://designvocabulary.com/zh/entries/collage.json"
    }
  ],
  "list": {
    "id": "V-C",
    "category": "visual",
    "edition": "classic",
    "name": {
      "zh": "视觉风格 · 经典基础",
      "en": "Visual styles · Classic foundation"
    },
    "headline": {
      "zh": "视觉风格 Top 10：10 大经典设计风格详解",
      "en": "Top 10 Classic Visual Design Styles, Explained"
    },
    "note": "视觉风格的经典基础：帮助分辨常被混用的视觉语言，不代表使用量或流行程度。",
    "keywords": [
      "视觉风格",
      "设计风格",
      "平面设计风格",
      "包豪斯",
      "极简主义",
      "扁平化设计",
      "拟物化",
      "设计词汇"
    ],
    "lead": "这一版收录的是已经被反复命名、反复引用的视觉语言。它们的价值不在于谁更现代，而在于当你说“这个看起来像包豪斯”时，对方能确切知道你指的是什么。",
    "criteria": [
      "有可核实的来源能说明这套视觉语言的由来与核心特征，而不是只在设计博客里流传的标签。",
      "能与同类里其他风格划出清楚的边界，不会退化成“好看”“干净”这类无法讨论的说法。",
      "在今天的数字界面里仍然会被有意识地选用，而不只是历史陈列。"
    ],
    "pairing": "与《视觉风格 · 2026 关注》相比，这一版偏向已经稳定下来的命名；两版重合的条目说明它既有历史地位，也仍在被讨论。",
    "evidence": "入选理由是编辑判断：它说明这条词汇在这一类里补上了哪一块，不声称它比别的风格更受欢迎或更有效。每条词条自己的定义另有来源。",
    "seats": [
      {
        "seat": 1,
        "entry": "swiss",
        "origin": "editorial-reconstruction",
        "reason": "给这一类立一个“秩序从哪里来”的参照点：先有网格和层级，装饰才是后话。"
      },
      {
        "seat": 2,
        "entry": "neo-brutalism",
        "origin": "editorial-reconstruction",
        "reason": "补上与秩序相反的一端：不靠精修而靠直白的描边与色块取得注意力。"
      },
      {
        "seat": 3,
        "entry": "bauhaus",
        "origin": "issue-1-ledger",
        "reason": "补上“几何与原色本身承担表达”的一支，说明去装饰不等于去表现。"
      },
      {
        "seat": 4,
        "entry": "art-deco",
        "origin": "issue-1-ledger",
        "reason": "代表把装饰当作正当表达手段的一路，与同类里的削减取向形成对照。"
      },
      {
        "seat": 5,
        "entry": "art-nouveau",
        "origin": "issue-1-ledger",
        "reason": "补上装饰与结构融为一体的做法，区别于把纹样当作附加层的用法。"
      },
      {
        "seat": 6,
        "entry": "minimalism",
        "origin": "issue-1-ledger",
        "reason": "界定“削减”这一取向本身，避免它被当成任何一种具体历史风格的同义词。"
      },
      {
        "seat": 7,
        "entry": "flat-design",
        "origin": "issue-1-ledger",
        "reason": "把“去掉模拟三维”的具体做法与更宽泛的极简取向分开。"
      },
      {
        "seat": 8,
        "entry": "skeuomorphism",
        "origin": "issue-1-ledger",
        "reason": "提供与扁平化相对的一极，说明模仿实物是一种解释手段而非单纯装饰。"
      },
      {
        "seat": 9,
        "entry": "memphis",
        "origin": "issue-1-ledger",
        "reason": "补上刻意违反“好品味”约束的一支，与同类里追求秩序的做法构成对照。"
      },
      {
        "seat": 10,
        "entry": "collage",
        "origin": "issue-1-ledger",
        "reason": "补上“保留可见接缝的多源拼合”，区别于把素材融成连续画面的处理。"
      }
    ]
  }
}
